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Dom Daher
I’m a 44 years old photographer, former journalist, and ski photographer. I’m now passionate about road cycling but all the other topics I’m shooting are part of my life and my lifestyle. If I don’t like it, I don’t shoot it. I’m have been the official photographer for the Freeride World Tour, the big mountain ski and snowboard world tour, for the past fourteenth years. I’m also running a photo studio in Geneva, Switzerland. It is a split between two worlds but always focused on athletes.
I started with analog photography, went through the press crisis, embraced Instagram, and now I am focusing on directing TV documentaries. But I’m still a photographer. I believe that the most important thing is to tell stories, because stories make us dream and cry… and sell products if needed.
I become more and more minimalist in my work, however, I still haven’t reached the point I’d like to be at. It’s a long process and sometimes it’s important to adhere to your clients’ needs instead of your ideal vision - sometimes.
When I did my first big assignment, just after I switched to digital,
I lost all my data and hence my client. How can you spend 8,000 euros on a camera
and don’t add a couple of Euros to have a proper and safe memory card?
Since then I only work with the best product. memorycard-wise it’s SanDisk - no discussion.
__________________
Dom Daher
Explore Dom's Work
Behind the Scenes with Dom Daher
I’m specialized in love. I mean sports I love. But I don’t like to call it “sport” because I’m not concerned with stick and ball sports, and the sports I’m covering are more linked to a lifestyle than a result. When I was in my twenties, I started a mountain bike magazine dedicated to freeride and big jump, but overall it was a manifest against road cycling and shaved legs… look where we are now, I’m hurrying to answer these questions to jump on my road bike!
Sometimes… if I have one, if it’s not broken and if it’s needed, but I rather use a monopod and hold my breath. I try to be as minimalist as possible, but sometimes you have to use additional equipment as I can’t hold my breath for 6 minutes…
I don’t believe in all this technical crap. Look in the camera and organize it in there. If you are as bad as me, take an automatic car and focus on the trajectory. Of course you should do your homework to know what is what - but once you know, forget everything. There is this t-shirt with a quote printed on it: Everybody is a photographer until M (for manual). It makes me laugh as much as "you are taking great photos because you have a great camera!" Seriously, do you think it’s Picasso’s brush who is responsible of his genius? Not at all. Although he probably had a proper brush which didn’t break or loose its hair.
Where I can… first you have to think about the safety, then where you are allowed to stand. However, if you follow all the rules you end up with ten other dudes (it’s cool, don’t make me wrong) talking about the #photographersproblem and don’t focus on what you are actually here for. So, in case of crowded events, I step back and try to find another way to tell my story. On my job at the FWT I talk a lot with the other photographers (we are lucky in Europe to have a lot of empathy in between us) and the mountain guide. If it’s more a private shoot, I talk with the athletes a lot. They know what they are doing and have a lot of knowledge of their sport and their ability.
I have no clue… I hope I have one. But I’m really young photo-wise, not even 20 years of photography, so I’m only at the beginning of my career. I’m still searching to find myself.
